





I don't know what became of Sarah, I think she was a niece of Cassatt's. She remaind's me of a picture I saw of my mum at about the same age, and maybe that's where the fascination came from. Other than that, I love the wamth that surrounds the painting, and of course, the little dog. I find the painting typical of Mary Cassatt's style: she had a deep understanding of children and women and these where her subjects of choice, doing normal things.
Cassatt thought marriage was incompatible with her career and despite a long lasting relationship with French painter Degas, she never married or had children. She painted mostly portets and scenes related to every day life, glimpses of quiet, tranquil living, many portaits of women with their children.
Cassatt was close to the Impressionist, exhibiting with them and being active in their movement. Her use of colors and light is apparent of such a relationship. Under their inspiration, she took her work outside the workshop, always carrying a sketch book and this can be seen in her painting: snapshots of life.
She was a modern woman, refusing the gender discriminations of her time, she did her best to brake boundaries. It was said she was too outspoken for her own good, although less so with age. When she was unhappy with the learning she received at the Academy, she took it upon herself to improve and study the Old Masters. Cassatt travelled extensively through Europe, considering the only way to succed is to broaden your horizons.
What fascinated me was her use of colors. Although this was one of the things that was criticated during her lifetime, I find that the bright colors and warm tones bring the subjects to life.
All the pictures are from Wikipedia, where you will also find more information on Mary Cassatt and the Impressionists. Also worth a look, the American Impressionists.